There are also other frontends for FFmpeg available, which you can try looking up. Handbrake has updated to support WebM also as container so it can be used, however it doesn't allow two pass with quality mode and it defaults to anamorphic video files so remember to disable that setting if using it.įrom commercial solutions artists really often use Adobe Media Encoder which usually works well, but it does cost and the settings differ from basically any other software (VP9 uses CRF from 1-62 where 1 is best quality, adobe encoder has quality slider from 1-100?). You might want to contact about converting video files while still retaining proper quality. They have instructions and guides on their profile page as well. My profile is starting to also be really out of date. Tried to start howto:transcode and convert but hey, I suck at writing instructions and even if I didn't, I do not have the time! This is why I hate pointing to stuff like youtube tutorials, because they never actually explain the inner workings and will be out of date in couple years or not suitable for the useage case. I've tried converting it using XMedia and Handbrake, but they just give me a completely different kind of blocky mess. Anyone know what the hell is going on here? It seems these programs have gotten the impression that the video is running at 176x144 resolution when the actual resolution is 1440p, so they just spit out a blurry piece of trash. That almost sounds like your settings are then not correctly set, many software default to 1mbps constant bitrate mode which with high resolutions is way too low. Usually constant quality mode with CRF 16 is good starting point, the software then adjusts the bitrate according to the material itself instead of you needing to guess or overshoot the bitrate yourself.
BEST SETTINGS FOR XMEDIA RECODE MP4
If you're the one who paid for the commission, you could always ask the artist to render in WebM instead of MP4 in the first place? It'll be higher quality than any after-the-fact conversion anyway.
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